The 2 Traits Your Characters Must Have

There are two attributes every main character in your book needs to possess if you want them to engage your readers’ attention. These attributes go hand in hand. They are:

Familiarity and Strangeness.

If you want your readers to connect on some level with your MC (and believe me, you need them to make a connection), then you must infuse the character with something familiar. A trait or handicap or at the very least a common job will do. Something they can read about and say, ‘Yeah, I understand what he’s going through.’

This familiar snippet of his person will ground your character in your fictional world and in the world of your readers’ imagination. Grounding your MC is especially important in Sci-Fi and Fantasy novels. In these genres you inherently thrust your readers into a ‘strange’ world, so providing them with a character they can latch onto provides them with a lifeline, so that they find something familiar in a world of Strange Things. It turns your MC into a tour guide to Middle Earth, a carriage carrying your readers through Westeros. Continue reading “The 2 Traits Your Characters Must Have”

How to Write Dynamic Characters in 1 Paragraph

For many of us the lure of a great book lies in its characters, or as MLK Jr. put it, the ‘content of their character.’ Solid world-building and intriguing plots go a long way toward engaging your audience. But at the end of the day, it’s the characters inhabiting that world, the people driving the plot that will keep your audience engaged.

A dynamic character instantly draws you in and keeps you invested.

While she may—and should—have a great ‘arc’ throughout the story, and have learned some vital nugget of truth about the world or herself by the end, it is her introduction that matters most, because this will determine if readers will stay with her or not.

Crafting a Dynamite Character in 1 Paragraph

One of the all-time greatest character-crafters was Charles Dickens. His books positively abound with dynamic people. They were all unique, distinct from each other, and they brimmed with intriguing peccadilloes and personalities. I remember he even infused a mule with personality, so that the mule made me laugh and feel for its plight.

Most impressive of all is Dickens’ ability to write compelling characters within 1 paragraph of their introduction. All it took were a few well crafted sentences, which included: an apt description of her physical appearance (this often included some deformity in his villains), an odd vocal trait that made her stand out, or a powerful belief that infiltrated her every thought, tainting or ennobling her words.

When introducing the Artful Dodger, Dickens swiftly draws an image of a flamboyant street urchin ‘—as dirty a juvenile as one would wish to see . . . with all the airs and manners of a man. All decked out in clothes much too large for him — not to mention that huge fantastic hat — He was, altogether, as roystering and swaggering a young gentleman as ever stood four feet six, or something less, in the bluchers—’

With that 1 paragraph we discover the Artful Dodger’s height, bedraggled appearance (which is, as we learn later, also a metaphor about his nature), his manners, financial situation (poor enough to have to wear men’s clothing that do not fit him), his confident attitude through the use of the excellent descriptor ‘swaggering’, and that he wears a huge fantastic hat, telling us that he is fond of ostentation. This hat business is also a trademark of Dickens: the man liked to imbue his characters with contradictions. The Artful Dodger is a pickpocket, and so he needs to blend in; and yet, he wears a hat that most definitely doesn’t help in this endeavor.

Contradiction adds spice to any character. It is also a very realistic aspect of human nature.

Luna Lovegood Continue reading “How to Write Dynamic Characters in 1 Paragraph”

Book Trends: Female Protagonists on the Rise

The other day I spotted at least twelve titles with the word ‘Girl’ on the cover–and that was just down 1 aisle.

It seems to be a trend, putting ‘Girl’ in your book title. Gone Girl, Girl on the Train, The Women in the Castle, Girl in the Spider’s Web, Lilac Girls, The Woman Who Couldn’t Scream, etc.

This in itself is good news; it’s about time writers and publishers realized girls can hold their own in literary tales. But another trend has reared its ugly head through this development, which is that most of these female protagonists end up imbued with three clichéd characteristics: divine beauty, hyper-intelligence, and snarky ‘tudes.

Today’s authors seem to be laboring under the delusion that female intelligence can only be beautiful and impressive if it is accompanied by physically impressive beauty. The average woman is pleasant to look at, but few actually possess ‘ethereal beauty’ or are ‘so hot she was hard to look at’ as depicted by their authors. How about we have an everywoman as the protagonist? How about a woman whose intelligence is an asset not necessarily matched by sexiness, or a female savant whose genius IQ is shackled by severe social anxiety? Continue reading “Book Trends: Female Protagonists on the Rise”